LOCAL INDUSTRY, a participatory cloth-making project at the Knoxville Museum of Art within the exhibition “Anne Wilson: Wind/Rewind/Weave,” January-April. Conceptual foundation: participation in a collaborative group process for the purpose of thinking about the contemporary production of textiles, and crisis of production, worldwide. The project engages in the multi-faceted discussions about new participatory forms in contemporary art. It is also a re-use project: the fibers/threads are not bought new but collected from both factory mill ends in the southeast and individual studio contributions.
One exhibition space at the KMA will be set up as a bobbin winding production site/workshop, multiple tables with winders at regular intervals for groups to work (adults/college + university classes, and kids), amassing wound bobbins to be hand woven into a striped cloth, woven collectively by experienced weavers from Knoxville and surrounding areas in the southeast. One loom will also exist in the space along with the winders. The completed bolt will be given to the KMA collection with a complete archive of all who participated. This project interests Wilson from intersecting positions as both artist and educator, and the Knoxville location (histories of industrial and hand crafted textiles in the southeast) is a key reason to locate this project at the KMA.
Weaving Plan: STRIPES -Transitions and Color Passages
Using the bobbins wound during the run of the KMA exhibition, the plan is to weave a ‘bolt’ of striped cloth, a weft face weave, stripes woven continuously selvedge to selvedge. Selecting a group of bobbins, each weaver works with the concept of transition and passages of striped color. Once one weaver has completed a passage of stripes, the next weaver responds to that passage, making a color transition that moves into new striped color passages. In proceeding this way, and although abstract, there are relationships to the Surrealist exercise of “exquisite corpse” drawing. The emphasis of this project is about all weavers being “visual thinkers,” working to create a visually dynamic woven striped cloth.
If you are interested in participating, please email Anne Wilson <awilson@saic.edu>